This afternoon I balanced two cups of tea and two gingersnaps on a little tray and managed to carry them, without spilling, to the red adirondacks under the birch trees.  The birch trees!  Queenly trees with fluttering skirts and sunlight dancing in each leaf.  Or perhaps they're more like dancers with streamered tambourines.  We are in love with them.  We planted them six years ago and today we sat in their shade and drank our tea and talked about what is most important in our lives.

And it's not the trees, or the house, or the programs and classes Martin developed over the last seven years.  And it's not our work, either, though we love it, and it's not our poems or stories or our small successes.  What is most important for us are the people we love and transform by our love--and the people by whom we have been transformed. We pour ourselves and our work and our energy into people.  The rest is important, but by contrast, the rest is temporal; it can blow away in one mighty gust of wind. And much of it has.  Martin came home from cleaning out his office disconcerted and sad.  I think it surprised him, how depressing it was.  All his beautiful programs, the ones he envisioned and worked so hard for--the literary magazine, the open mics, the reading series, each class sculpted and labored over.  And for what?  he asked.

But the birch trees spoke to us with their music:  It's not the programs themselves that matter; programs are for people.  Programs inevitably disappear.  But the impact they have on people, the ways they change those who experienced and participated--that is the lasting thing.

If we've been taught anything by all of this, one lesson driven home directly and mercilessly would be: very little is ours.  I keep rehearsing it.  I knew it, or thought I knew it.  Now I know it even more.  We are given gifts, we love them, we do our best with them, but they are not ultimately ours.  Not even our writing really belongs to us; we are stewards of a poem, or a story, but we walk alongside them; we do not possess them, and by trying to possess any of it, we ruin all of it.  I guess that rule goes for just about everything I can think of, including people--friends, spouses, children, parents.  We must perpetually let go if we want to find the core of what really matters, if we want to hold tightly to what makes life real and miraculous and lasting. 

We did some haiku with a bunch of fourth graders today, and that was healing: experience a moment; love it; let it go.  Also healing was the fact that every haiku master we came across loved talking about bird droppings.  Bird ---t in sake and on rice cakes.  One haiku basically read:  the happier the sparrow, the more he s---s all over you. (Insert appropriate word--not for young audiences).  So when one fourth grader wrote about a seagull pooping on his potato chips at the beach, we said, Ah, welcome to the fold, young poet.

Haiku is the only writing assignment in college I ever got assigned a B for.  I was crushed.  I have been intimidated by haiku, probably since then.  Apparently I stink at whittling a moment down to three, spare lines.  That's Martin's cup of tea.  Maybe I'll try it as a sort of spiritual discipline.  Maybe you should.  One freeing tip: what you heard in elementary school, that the lines must be 5 / 7 / 5 syllables--you can forget that tyranny.  What you're looking for are three short, simple lines.

Birch leaf--
coin of sunshine on my shoulder
We drink tea all afternoon.

Oh, I'm still terrible.  This will, perhaps,be a private exercise.  (I just had to slip in the bit about drinking tea.)  I think the fourth graders haikued me right under the table today.