Christmas Mash-Up

Merry's question should have been adequate warning for the reaction of an entire room of people, faces flushed with Christmas: "What is the play ABOUT?"

As my friend Elesha (aka, Singer One in the play)said, "It's highly conceptual."

These were my goals as I wrote the script and directed a crew of wild children: to avoid a dry retelling of the classic Christmas story; to evoke a child-like spirit of wonder and questions; to keep the play, and thus the practices, mercifully short.

Basically, as I explained to my friend Sal this morning, the play was a God-spell like Christmas mash-up, with children asking questions, playing drums, singing snippets of Christmas carols, and reading short lines from scripts. They were dressed in a variety of colors and outfits from around the world and scarves were draped over a series of wooden stairs and tiny folding chairs. Granted, the last carol, "Joy to the World," in which the audience was supposed to participate, started in, say, at least three different keys, and may have never totally recovered, but the kids played their drums and Martin banged out a good beat on a metal chair, and even Bea, in her tiny Chinese pantsuit, joined in on the djembe. Afterwards there was a stunned silence into which I yelled, "That's our Christmas celebration for this year! And now we can all EAT!"

Which we did--I flew back to the church kitchen to cut up my Texas sheet cake. And nobody said anything about the Christmas play--not any of the women who came back to retrieve pots of soup or casseroles for the pot-luck table, not any of the men who cleared up afterward. I'm used to Baptists or free-wheeling nondenominationalists or dry but funny Episcopalians who, in their various ways, gush a little more: "Oh, honey, that was so cuuute," a Baptist Texan at Martin's parent's church might have said (I imagined), "Those kids looked so dahlin' up there, and they beat their drums so well."

From the Mennonites, nothing. I couldn't figure out whether it was because one is not supposed to congratulate anyone on their accomplishments, since all the glory is due God, or whether they just all were so confused they had no idea what in the world to say. Finally I dropped a word to young-church-lady Rachel, who was collecting cutlery and setting up the tea bags in little baskets, and she confirmed that the children had really enjoyed themselves. Not a single word from the rest of church-goers, and was I being paranoid when I caught a funny light in the choir director's eyes when she spoke to me later over plates of sloppy joe and unidentifiable food?

Not to worry; I ate a lot of dessert with good people, sang some carols, and the kids beat their drums and waved scarves all evening, through the eating and the sacred singing, creating such a racket on stage that most of us were afraid to watch lest we must chide for irresponsible behavior. But I think all that joyful racket was an indication that THEY GOT IT, they got the Christmas fever, or the Christmas FEVA, man. As I ate my tenth slice of cake, Martin grinned and said, "Just see if they ask YOU to do the Christmas play again!" and we high-fived.

Merry Christmas, people. Rock the season. There's much to celebrate, much play to be had, little cause for overwrought solemnity, more cause for drum-beating and flashes of light and crying babies--and children, like wayward, dirty shepherds, yelling and spreading their raucous joy all over our stages and our lives.