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Wednesday, April 11, 2007

CONTRIBUTOR BOOK REVIEW: The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson


The Strange Case of Dr. Jekyll and Mr. Hyde
Robert Louis Stevenson
Norton 2002


Robert Louis Stevenson was a fascinating figure—a proud Scot who keenly felt the humiliation his people had suffered from the English, but who also, because of his debilitating bouts with Tuberculosis, lived much of his adult life exiled from his cold and wet homeland. He spent time in France, lived for several years in America, and ended his life on an isolated ridge in Samoa, but he never forgot Scotland, writing of the last great Scottish revolt against the English in novels such as The Master of Ballantrae even as he was oceans away.

The gothic romance Strange Case of Dr. Jekyll and Mr. Hyde doesn’t at first seem to offer any insights into Stevenson’s mind, but then we realize that the cesspool of a city which allows a beast like Mr. Hyde to wander unnoticed for months is none other than London, seat of a swaggering empire that extended from Edinburgh to Sydney. And what a city it is! A sprawling, decaying one, full of alleys, shadowy back entrances to respectable homes, and endless empty streets eerily lit by gas lamps. Brutal and callous. Nightmarish and hypocritical. This is Stevenson’s portrait of the city he spent his life avoiding.

One of London’s stories is that of Dr. Jekyll’s fiendish double, Mr. Hyde. Our first glimpse of Hyde finds him coldly trampling an eight year-old girl when she stumbles into his path on a midnight street. We soon discover that he becomes stronger and more vile as time passes because the city provides ample opportunities to gratify every appetite, no matter how depraved, that he can conjure up, and before long, Dr. Jekyll, the respectable gentlemen scientist, no longer has any power over the monstrous, murderous self he allows to stalk anonymously through London’s “labyrinths of lamplighted city.”

In the end, the genteel, professional men who unravel the secret of Jekyll/Hyde regret their discoveries. One man dies of shock, while another swears never to broach the subject again, locking Jekyll’s written confession away to save the doctor’s reputation. Thus Stevenson closes his novel, and another of London’s ghastly secrets stays buried, perhaps only one of many…

Reviewed by Jeffrey Clayton
Jeffrey Clayton balances the following with felicity: completing his dissertation (PhD English Literature), substituting elementary kids, and monitoring the Astros baseball team. Clayton's fount bubbles with alacrity with subjects from Trollope to Dr. Pepper knock-offs. He currently resides in the Houston, TX area.

Homework

Always do your homework. That's what I tell myself every time I receive another shipment from the nursery; that's the advice I gave myself as I shook my head over the Canadian Hemlocks, of which I ordered and planted forty. There's a family of deer in the woods behind our house, and Canadian Hemlocks are evidently a particularly tasty treat for deer. So far the Hemlocks survive, though brown and sad-looking. I think they are too crunchy for the deer to bother, though if they do live and flourish, the deer will most likely chomp them to stubs.

Downstairs in my laundry tub, five Lombardy Poplars are soaking their roots. I even turned on the jet streams and some jazz so they could really relax before taking their place in our side yard.

In the meanwhile I dashed upstairs to check planting distances. A few seconds on Google retrieved the following information: Lombardy Poplars are a pestilence! They grow quickly to an incredible height and then die, leaving you with invasive roots and skeletons. Indeed the Lombardy poplar is one of the WORST trees a bumbling gardener can plant: "I have never recommended, at least while conscious, a poplar," Horticulturist Mike Durr commented.

I am such a bumbling gardener. I am the worst of bumbling gardeners, wooed by SpringHill Nursery's jolly promises of a quick windscreen. Why wasn't I suspicious of too much good too soon? Why?!

Hopefully I checked the "Redeeming Features" column only to read: "No redeeming features found. Many horticulturists consider the tree taboo with too many associated problems to ever consider planting." (see Steve Nix's advice before you buy five Lombardy poplars!)

Not even Chidester the Gumberry can help me now.

You think I would have learned back in third grade to do some homework. Meanwhile, what to do with the trees? Should I sneak into my neighbor's yard and plant them in the dead of night? Seems such a shame to waste them. . .A thought occurs that maybe we would have moved on by the time said poplars die. Is this like polluting the atmosphere with no thought for your children?

Anyone want five soggy Lombardy poplar trees?

Sigh.

Maybe the deer will eat them.

In other news, Merry has created a new song: "One, two, three, Freakout!" She told me Freakout was a sort of machine, and informed me she had learned that word from Daddy. Yesterday Elspeth ate more paint, this time green, and in a fit of despondancy over spring taking her time, I painted verdant leaves up my kitchen wall.

Let me add: the Art Show is looking fantastic! Look for it tomorrow or at the latest, Friday. There's still a minute for you to squeeze in an entry if you wish!

Tuesday, April 10, 2007

Dear Long Lost Chidester the Gumberry

Besides the offer to join someone in Cancun, the touting of a pill that will enlarge body parts I do not have, the congratulatory message that I gave someone a great night last night, and finally a promise that "she will love you more than any other guy," I recieved these brain-teasers:

"Go malarial everyone manure"
"Maaseiah the priest, and did my teeth. Whereupon, and shall it is"
"For chidester the gumberry"

And I realized I do indeed remember Chidester the Gumberry. He and I were cronies back in the day, if you recall. We played cricket together the summer of '87 and hoppin horntoads if we didn't beat the pants off the other chaps. So, Chidester, wherever you are, here's a missive for you, dear dear fellow:

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Dear Chidester the Gumberry:

Whereupon, and shall it is that Maaseiah the priest is going before the law of the name of said Jesus our king . So please, be my colours; be before bentree; be our guest in Cancun.

Dear Chidester, I Miss You. The devol himself guntown have power nor their minds, and furthermore Howard said Jeff has been wondering why he isn't on the show anymore. So do disclose and then detect and eliminate, because I've got GOOD NEWS FOR YOU.

Until you reply, I am the laden.

Sincerely,
Lutesville He Beckemeyer

Chidester the Gumberry, are you out there? Here's a picture of Chidester, as I remember him in '87: He always was such a smart dresser. Snazzy Chidester the Snazzy Gumberry, we used to call him. Memories! What are they now but empty spaghetti pots! O me! Where art thou, Chidester?

Monday, April 9, 2007

Put it UNDER YOUR PILLOW


A Tale
A Story of Great Woe Redeemed by an Auspicious Personage
*
*
When Grandmama (the real one, not Elephant's) visited last week, Merry lost part of her toenail. She showed it to Grandmama, and then she put it very carefully under her pink pillow. "Maybe the Cuticle Fairy will come," she said. "Last time the Cuticle Fairy brought me a CLOCK!"

Do you know about the Cuticle Fairy? If you are ignorant, dear ones, let me fill you in on a great source of revenue (for children) and aid (for parents), that has hitherto gone unclaimed. Say your child (late at night and past her bedtime), displays an evil cuticle on her finger hanging askew in a painful fashion. Say she screams when you produce a little pair of scissors, and continues to scream generally. Say she is losing all sense of reality, that the cuticle is growing before her eyes to epic size. And then say youbegin thinking of your BBC comedy, your pajamas, your secret snacks--all these quickly fading into the horizon of your adult-only evening. Imagine then that you blurt desperately: HaveyoueverheardoftheCuticleFairy?

My dear, have you EVER heard of the Cuticle Fairy? No? Neither had Merry's preschool teachers.

Added to Canon of Fairies by Jolly Aunt: Toenail Fairy

Long, long ago, when I was yet a wee mite of a geerl, a door cruelly slammed on my big toe, rendering its armor smashed and bloody. My bubblegum-chewing, jolly aunt who wore bright lipstick and nail polish cheered me: My dear, oh my dear, put it under your pillow, and what do you think? The Toenail Fairy will come! So I did put the mangled disembodied article under my pillow, and yes, the next morning I found a lumpy packet of Sugarfree HubbaBubba in its place. What the Toenail Fairy did with all the toenails was entirely beyond me. Does she loop them into a hideous necklace like the Tooth Fairy with her chains of teeth? Does she compost her tomatoes and zinnias with the piles of toenails that she retrieves from quiet beds? Does she have a deal with the HubbaBubba corporation? All these questions did not bother me in the slightest, of course.

Added to Canon of Fairies by Desperate Mother: Cuticle Fairy

Questions did not ruffle Merry, either. She calmly extended her finger as I clipped, said brightly, "That didn't hurt a-tall!" and put the teeny tiny sliver under her pillow.

Thankfully the Cuticle Fairy had recently cleaned out the basement, and she was able to exchange a bright red Micky Mouse Clock for the measly but hard-won cuticle.

Merry responded thus the next morning: "How does a little fairy carry this?" (brandishing Micky Mouse clock)--and then that evening, "Mommy, I think I have another loose cuticle," to which I assured her the fairy only comes once in a while and probably wouldn't return until after Merry stopped biting her fingernails.

Seeing the tragic state of Merry's fingernails, this was a safe promise.

MORAL

Has anything disconnected from your body recently? Put it under your pillow, my dear, and hope for the best.

Sunday, April 8, 2007

Easter

This morning, Merry first showed us the Easter Egg the faceless bunny left by her pillow and then she said, "Can we go sledding today?"

Our dear Orthodox friend had given us a loaf of Easter bread kneaded and punched by the old ladies of the Church--pockmarked with holy fingers, baked with other loaves in a huge oven--the symbolism of this bread warms us--and this gave our breakfast a tone of the sacred. We sang "Christ the Lord" as I lit candles on the table, but really, compared to childhood Easter breakfasts with hot cross buns, a formal morning table laid with daffodils or roses, candles, flutes of orange juice--we were a motley crew.


Hungry for Easter liturgy (Quakers don't celebrate holy days, as every day is holy), we waded through the snow and into our car. The Episcopalian church was packed with its twice-annual crowd. Tulips and daffodils bloomed in green foil clad pots under a stained glass rendering of Jesus the Good Shepherd. The liturgy felt like a warm, familiar blanket on my shoulders. Like home.

If every Episcopal Church would only stick to the liturgy and not insist on a sermon! Some churches are fortunate enough to have pithy, wise homilies, but I've yet to be at one that would not have been bettered by the exclusion of the homily altogether. Today's Easter message started with an illustration about pendulums and then stumbled on on to describe the resurrection and why we pew-sitters should be convinced of it. It was like going to a birthday party and watching the candles burn into pools of wax on the cake as the host rambles on about why we should believe the person whose birthday we're celebrating was really born. Just let the birthday person blow out the candles and then pass out the cake! Is it a party, or what?

The sermon, the restless girls--(Merry was insistent on conducting Sunday School next to me in a low whisper for Elephant and Baby Dear plus a group of small rocks and dried wild onions she pulled out of her purse--I'm telling them the story of the lost coin! she whispered)-- and then the fact that I had awakened with fluid rolling around in my left ear made me feel neurotic. At times I felt like singing or yelling or just doing something (terrets? yes). It was Easter, for heaven's sake. Why were we a bunch of cottage cheese tubs?

During Eucharist one of my least favorite praise songs of all times was sung as a solo--"Like a Rose," which actualizes bad metaphor, unfortunate poetry, and sentimentality all in one fell swoop.

But the girls got a "cross" and we received materially, through the elements, the grace of our God, who is present everywhere, despite us.

Martin prepared a fantastic dinner: provencal chicken with olives, fresh rosemary, and vegetables; salad with homemade balsamic vinaigrette; fresh asparagus with lemon. We drank good wine, good coffee, and chatted with good people. Four girls ran about our house with plastic Easter eggs. We watched the snow blowing outside.

Happy Easter to you. I hope yours was full of grace, full of beauty, full of goodness.

Friday, April 6, 2007

Note

Look below "Good Friday" to find a delightful review by Tonya M. on "The Good Good Pig." Looks like a really good read.

I'm wrapping up submissions for the art show, so if you've got something, send it! Thanks!

Good Friday

A year or so ago, Merry asked at bedtime: "How do you hear God if he's not even here? I can't see him." (Note: we still habitually call God "he" though we affirm that God is both male and female. Force of upbringing).

We affirmed her observation and her good question, and then we said, "God speaks in many ways--through our imaginations that he gave us, through the voices and faces of other people, through beautiful things in nature."

Merry daily evidences the paradoxical genius of children: wildly imaginative and stoically literal. "But I don't HEAR God," she said.

It was getting late. "Look," we said. "Ask God to talk to you tonight, and then tomorrow tell us what happened." She agreed.

The next day she said emphatically: "I listened and listened but God never said anything!"

What could we say to that?

Much of our faith is based on mystery. I believe many things without rational proof. God loves me. How do I feel sure of this? Besides the Bible and my parents telling me so, I know through my experiences. My experience cannot be invalidated, just as I cannot tell you, "Tosh! You never heard/saw/smelled that! What complete rubbish!" You saw what you saw, you tasted what you tasted. I've heard God's voice in many ways, through the lives of regular folks, the words of people, the writing in a book, wonderful music, an autumn tree glowing in a streetlight.

Rather than being suspicious of mystery, I affirm and delight in it. Nothing is fully knowable--no subject can be plumbed to its depths, no single cell is beyond creating surprise. No one is fully knowable--not my husband nor my children nor my parents. Do I believe, though I cannot fully and rationally know these people, that they love me? With all my heart.

And here's a crazy thing. Do I believe Jesus died and rose again? I do! Can I offer a rational explanation? Absolutely not. Strip away the miracles and the inexplicable things and what you've got left is boring mediocrity. I don't want to put all my heart into something that I can know fully. Frankly, that sort of thing is just not worth knowing. This doesn't mean I don't use my brain and my reason in a constant, often very uncomfortable journey. I often live in great tension. And what I anxiously pursue pulsates with the miraculous and mysterious: loving people, loving this world. Writing, reading, lovemaking, music, good food--who wants those things fully explained? Not I! Nor can they be explained. They can only be tasted, experienced, known in part. And loved.

Here's a Good Friday mystery:

Everyone who belongs to the truth listens to my voice.

What does Jesus mean?

Now, from the Good Friday Liturgy:
Almighty God,
as we stand at the foot of the cross of your Son,
may we know your love for us,
that in humility, love and joy
we may place at his feet
all that we have and all that we are;
through Jesus Christ our Saviour.


And finally, from When I Survey the Wondrous Cross:

Were the whole realm of nature mine,
that were an offering far too small;
love so amazing, so divine,
demands my soul, my life, my all.


And back to Jesus, who is the reason I call myself Christian:

Everyone who belongs to the truth listens to my voice.

CONTRIBUTOR BOOK REVIEW: The Good Good Pig


The Good Good Pig:
The Extraordinary Life
of Christopher Hogwood

Sy Montgomery
Ballantine Books, reprint April 2007

Let me preface this review by mentioning that of late I rarely finish a book, so be assured The Good Good Pig is short and easy to read.

The Good Good Pig is a biography written by naturalist and author Sy Montgomery, who lives in rural New Hampshire. As a pig lover, the title of this book was enough to entice me.

The book follows the life of pig Christopher Hogwood, who is rescued as a sickly runt by Sy and her husband and kept as a pet. The story goes beyond Hogwood’s life to touch on the difficulties of marriage between people of different faiths, compassion, dealing with loss, and the ability of pets to assist in emotional and physical healing. (A bonus: eight pages of color photos of Hogwood and some of his friends.)

Sy Montgomery's writing is light and interesting. I found it difficult at times to keep the many characters, all friends of Hogwood, straight. But it was pleasant to be transported to Montgomery’s small New Hampshire town, and by the end of the book I felt that its residents were my neighbors.

Overall, I would recommend this story to animal lovers and small scale farmers trying to live close to the land. This is truly heartwarming story of the love between a woman and her pet.

--Reviewed by Tonya M.
Tonya M. lives on her own piece of lovely land in Greene County, PA, with two sweet daughters and an enchanting willow tree. When she's not fending off deer, she's either reading to her girls or working as a physician's assistant at the college health center.

birth days

I feel compelled to say that today is Good Friday and my birthday as well. I am 29 and almost at the tippity-top of three decades, from where I will be able to view my life like a vista. I will finally be wise and free of folly.

When I was at the cusp of my teens I used to picture myself at 16. My face would be clear of acne, my hair lush and flowing, and I would walk around with my lips pursed just to be ready for the many kisses of my admirers. I would smell good all the time, not just when I showered. These changes really did occur the day I turned 16, as if my fairy godmother had waved her wand over the crown of my sparkling head. From the roots down, my hair turned luminous and glossy; my eyes expanded to the size of Disney princess', my feet were hairless and delicate; my body was lithe like the aspen tree. Did I mention my flawless peaches and cream complexion? Yes, all my expectations were indeed met at 16. (Weren't yours?) It was truly the sweetest of years, and from then all was downhill and decline.

I thank my lucky stars that though my lithe body is now marked with the passage of two children, I still have a handsome prince charming:

And two beautiful, though delicate children:


I myself have reached a sage stage in my life and will concentrate in future--since I only have one last year until thirty--on the more serious things, starting with Plato and working upwards toward Nietzsche.By thirty I dare say I will be unable to crack a smile, and this is the way things should be.

Thursday, April 5, 2007

Daily Riches

Snow in April. My first reaction is to complain, to grump about snow when there's a garden outside, warming and just beginning to breathe.

Snow blows across the yard, and I bow my head, self-condemned, telling myself, today is an INSIDE day. Ho-hum and blah.
Add to this a vague sense of heaviness that has built within me for the past few days, a seed of dread in the middle of me, seeping slowly up my arms and down my legs. I push it away in the business of a day but in moments of silence I realize it is still present, dull and heavy as a peach pit lodged in my chest.

Snow. HUM BUG. Snow in April.

But then I attempted to capture the ludicrous BLAH by snapping some pictures. The images were blocked by the glass and the screen, and so I unlocked the windows and slid them down in their casements. The flurries, so busy and hectic when blocked by the glass, silently and gently danced over the deep green grass. I heard the creek chuckling at the joke of snow; the cold breeze teased the warm heavy air of our house.

Inside, my geraniums bloomed far above the fray, promising quietly that indeed spring did come, and is here despite the flurries.

My inner weight is not gone. But all right, and all right and all right. The world dances on despite me, and I choose to reach out of my gloom and acknowledge the goodness. There, I've held it. Snow, a white blossom, the riches of a day.

If your daily life seems poor, do not blame it; blame yourself, tell yourself that you are not poet enough to call forth its riches; for to the creator there is no poverty and no poor indifferent place.
--Rilke, Letters to a Young Poet (19)

Wednesday, April 4, 2007

Corporal Punishment (sticks and stones may hurt my bones. . .)


Yesterday Merry lined up a half dozen or so rocks on the patio for school.

"If they don't listen," Merry said, referring to the classroom of rocks, "I give them a pinch." (She demonstrated with a clothespin).

Then she led the congregated rocks in a chorus. One rock apparently did not behave himself because Merry said, "Oh, you don't want to sing the song?" And promptly pinched him with the clothespin.

"That's rather brutal," my mother observed.

I've also noticed that Elephant comes under threats for a spanking fairly regularly. Martin and I take a staunch position of antiviolence in all forms, including spanking and pinching with clothespins. Merry, on the other hand, is free-handed in her threats of retribution--poor rocks--and not above threatening to thrash Elephant if she thinks the wrongdoing is grievous enough.

Maybe this falls in the same category as hoarding secret love for Barbies, since they are one of the only things we disallow. At visits to Barnes and Noble, Merry promptly pulls down half a shelf of Barbie books, plants herself in a chair and slowly devours each one. One time she actually tricked her aunt into reading her one interminable Barbie book after the next. She cajoled her weary aunt with filthy lies about her parents encouraging such a past-time.

It must be a phase. In the meanwhile I'm encouraged by the fact that Elephant is stuffed with fluff and the rocks are impervious to pinching.

Tuesday, April 3, 2007

Poetry: Important as Green Leafy Vegetables?

Revisions continue.
Reveesions continu.
Re
vis
ions
contin
u
Re:
vivid
suns
contain
you

To Martin:

Yesterday
in a lapse of judgment
I sat down
and wrote a poem.

Forgetting green,
I wrote, and thought,
Nice beginning.
You crossed it out.

Merry at the kitchen
table said, Cotton candy.
When you put it in your mouth
it melts like a cloud.

That's poetry, you said,

Added, Your line breaks
stink. The baby swiped
carrots to the floor.
You swept my poem
out the kitchen door in two
swift strokes.

I
ate
spi
nach.

______________________
Level with me, here:

Words
Form
Images
Structure

Say a chap sees your poem on a page. The chap takes your words and your images. With a few deft strokes of his pen the chap reorganizes all your words and all your images (adds clever internal rhyme as bonus). Chap takes your clay, punches it down, reforms it. Still your clay, different form. The chap takes your cards, shuffles them, deals out a new hand. Still your cards, chap's game.

This poem. Is it still your poem, or is it the chap's poem? Or does the poem belong to both you AND the chap?

What do you think?

(All hypothetical, of course.)
And should we all stick to spinach after all?
(Nah.)

Monday, April 2, 2007

Front Porch Fiction


Saturday was the contest deadline for a short story I'd set myself to, and I was determined to have the thing viable by then.

A really good story surprises you, like a car dropped out of the sky, flattening the daffodils on the front lawn. You can't help but pay attention, whether you want to or not.

For me the surprises, the climaxes if you will, of writing occur when I have disciplined myself to the process. Usually, I don't write because I am inspired. I write because I have made writing my job. Often I feel as if I have no choice in the matter, as I did in the middle of revising the short story for the umpteenth time. I felt saddled with responsibility for the characters, weighed down by my duty to get their story right, to be faithful to their personalities and voices.

When Elspeth naps, I write. When the girls go to bed for the night, I write. When Martin is home and can look after the girls, I write. I have my own office with a gentle view (Merry also sleeps there, often to the background noise of keys clicking away). I sit down in the morning and work to the detriment of unwashed dishes, unwashed me, unclean house.

So when I finished the first draft (30 pages) of Delphinium (look, I know it's a ridiculous name but I had to come up with something to submit it), I felt pretty good about myself. Actually, to tell the truth, I felt moody and creepy. I had spent a few nights by myself already while Martin worked late and I was saturated with the story. That evening, a scene crept up and bit me while I was typing away, and after I recorded it I felt a bit possessed. So as I stood in the shower, I felt that bizarre sensation that someone was standing outside the curtain in the emptied house. I finished washing my hair in a hurry. Then I did something normal--brewed a cup of tea and flipped on a Netflix BBC show.

When Martin staggered into the living room from his meetings, I nodded at my story. To his credit, Martin sat down right away and began reading it out loud. Sure, there were edits that surfaced as he read, but overall I thought it was pretty good.

When he finished reading all thirty pages, Martin looked up. "What do you think?" he asked.

Warned by his diplomacy and expression, I snapped back, "What do YOU think? I'm the one who just wrote it."

So he told me. Martin is the most gentle man on the planet, but blast it all if he doesn't speak straight every time. The first part was good, he said. But the last bit (oh, say, most of the story) strayed away from the core of the characters and plot. The climax was bogus, the conclusion wholly unsatisfying.

Fantastic.

I was tired and grumpy.

Hadn't I poured my scant time into this story (over a period of weeks, actually)? Hadn't I felt, as I typed the last word that it was rather brilliant? That I was mostly done?

But underneath my grumping, I knew Martin was right. I knew he was telling me what I was not honest enough to see. I had broken the most cardinal rule in the book about fiction--that is, I foresaw what was coming, I steered the characters into it, I forced my agenda onto them instead of letting them lead me. I had been heavy-handed, and Martin realized it in one reading.

Next day I plunged back into the story. I deleted whole pages, I reorganized, I let the characters lead me. I was terribly impressed when I finished. I secretly hoped my latest efforts would blow Martin away into outer space. Maybe he would gasp as he finished, blink back tears, offer me his hand in congratulations. You are a bloody genius! he would finally whisper.

Oh, it was nothing.

Friday night. Contest deadline was Saturday, but no sweat, man. Except for a few little edits, the story was done. I waited until our guests had left, and then Martin and I sat down late that night and he read the whole story out loud again. We were both tired out by the time he finished, because that story was still really long.

I waited for Martin to say something. I didn't have to wait long.

He unleashed a whole storm of critique--too long, the ending still messed up, whole sections had to go. Give me some time, he said, and I'll sit down and edit it.

Some time? The story is due tomorrow!

Look, I said, You are the best editor I know. What do you want me to do, bow at your feet?

Yes, I was rather tired, and very frustrated, and ready to flog someone.

After a good night's sleep, I awakened to find Martin absent from bed. As I stumbled downstairs, he said from the kitchen, I got up with Merry, and by the way, I'm working on your story.

I went back to bed.

After a good breakfast and a good garden, Martin and I put the girls down for a rest and he laid out a late lunch on the porch as I finished planting some lavender starts.

I listened to the wind chimes singing and ate a slice of chicken-spinach pizza while he read through the story again, silently this time, pen scratching away. I watched him as he drew huge exes through section after section. Elspeth awakened.

Martin is one fine editor, a one-man workshop. I really do mean it. He respected the story by cutting out all the flab that belittled it. "I feel as if I'm really getting to know the characters now," he said, "And as if I'm getting to know the story." And then he handed me his edits and went away, hauling Elspeth on his hip.

I went back to the computer, and this time, much fell away, much that was well-written but didn't belong and didn't work. One of my favorite scenes got tossed into the netherworld, and I had to admit that was the right move. Who was it who said, pick your favorite part and cut it out?
________________________________

In Quaker Meeting yesterday, I sat in the silence and this is what came:

Joy is free. But it is in the context of hard work, in discipline, that joy surprises me. And it is the brief moments of joy that make me put down my head and go back to work.

In labor, in great pain, I glimpsed Elspeth's thick black hair. For a moment I was still giving Elspeth oxygen and then, in the seconds when Martin snipped the umbilical cord, Elspeth was suddenly wholly separate from me.

And what is suffering in the face of such joy?

Sunday, April 1, 2007

IMPORTANT MESSAGE: Wazoo Farm to Cease Operation

Online friends,

As you might have heard by now, Kimberly will no longer be able to blog about her life. At 4:32 am this morning, she and Merry and Elspeth were removed bodily from the earth. I woke just in time to see Kim's cold toes defenestrating from the bedroom. I think I heard her saying something like "Water my plants" as she ascended to what I can only imagine to be some lofty place far from here. I swung my legs out of bed and gazed up through the open window. Kim and the girls had joined hands and were charging upward with a host of others, most of whom were still in their bedclothes. It was only then that I noticed the deafening trumpet blasts from all of heaven's company. And then, in an instant, the world was quiet again.

Guess I'll have to wash my own socks from now on.

Martin